There are times when I enter a sort of revision fugue, where I’ve been writing and rewriting the same words, sentences, paragraphs, scenes, chapters, stories to the point that I can’t reliably tell what’s going on anymore. I come out the other side with a net wash. I may have been editing for three hours straight, but when I look at what I’ve been working on I honestly can’t see the work anymore. All I see are letters mashed together in some semblance of order. Continue reading →
Imagine a block of ice. You take your chisel and hammer and you go to work, making small nicks and grooves. You know what it looks like, you just have to get there. The first thing you do is knock out the basic shape of the sculpture. We’ll say it’s a banana. You like bananas, right? It’s a damn banana. Continue reading →
I’ve found, increasingly over the last few years, that there are two completely divergent paths when it comes to “writing” and “editing that writing”. I have written two complete novels that each flowed out of me in a month. I have written two other as-of-yet unpublished novels that also took roughly a month to get the first draft completed. The editing for the first two novels was an uphill struggle with twenty-pound weights attached to my legs. It took five months to properly edit Something More, and it took six months to properly edit Our Crumbling Ivory.
As of this writing I’m gearing up to begin the third draft of Something More’s (untitled) sequel, so called because it doesn’t have a name yet. I spent about a month writing this one, followed by a couple months downtime, followed by another two weeks of writing. Then the second draft took another two months. I expect the third draft to take about a month, and subsequent drafts to take a couple of weeks each. At this rate (with some downtime between drafts to let my mind focus elsewhere and come back fresh) it’ll be the end of summer before I feel like it’s ready to show to other people, and then another couple of months while I go through a final revision using those people’s suggestions. Continue reading →
Writing has its ups and downs. Between the excitement of talking about and brainstorming a new story to the frightening reality of Getting Started. From that moment when you write something truly inspired to the frustration you feel when you have to cut your favorite scene for the sake of the story. From the high that comes with your first praise to the terrible low of your first critical beating.
You have to deal with them all, and failure to deal with any aspect of a writer’s lot with grace and dignity can lead to terrible fallout. Nobody (that matters) wants you to fail for reasons that have little to nothing to do with the writing process.
Editing is one of those steps that you will spend countless hours pursuing on your journey to be a published Author, whether it’s short stories or epic fantasy series. You have to be your own editor first and foremost.
Page2Print – What Is This?
Page2Print is what I’m calling my secondary series that is all about editing. Where Brain2Page is all about the initial writing process, and how to keep yourself moving and motivated and all that flimsy vague nonsense that keeps you from writing, Page2Print explores and focuses on writing rules and guides that I use when I take pen to page and begin the task of chopping my stories apart, or when I chop other people’s stories apart. Continue reading →